Font family: MalabarPro-Italic
Font style:
Font version: Version 1.00; ttfautohint (v1.3);com.myfonts.easy.linotype.malabar.pro-italic.wfkit2.version.48B5
Typeface type:
Characters: 502
Number of glyphs: 514
Font weight:
Font width:
Languages:
Unicode blocks:
Source:
File format:
License type: The way of license is for reference only. Please contact the copyright party to purchase commercial license.
Font embedding license:
Copyright notice: Copyright © 2010 Linotype GmbH, www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype GmbH. Malabar is a trademark of Linotype GmbH and may be registered in certain jurisdictions. This typeface is original artwork of Dan Reynolds. The design may be protected in certain jurisdictions.
Font family: MalabarPro-Italic
Font Subfamily name:
Unique font identifier: com.myfonts.easy.linotype.malabar.pro-italic.wfkit2.version.48B5
Full font name: ☞Malabar Pro Italic
Version string: Version 1.00; ttfautohint (v1.3);com.myfonts.easy.linotype.malabar.pro-italic.wfkit2.version.48B5
Postscript name: MalabarPro-Italic
Trademark: Malabar is a trademark of Linotype GmbH and may be registered in certain jurisdictions.
Manufacturer Name: Linotype GmbH
Designer: Dan Reynolds
Description: "Malabar is a type family for extensive text. Its design was developed with a nod toward newspapers. Malabar's characters are seriffed and of the oldstyle genre. A strong diagonal axis is apparent within the curves. Sturdy serifs help strengthen the line of text in small point sizes, as well as define the overall feeling of the face. Malabar's x-height is very high, a deliberate choice that makes the most important parts of lowercase letters visibly larger in tiny settings. The height of the capital letters is also rather diminutive, allowing for better character fit, as well as eliminating a bit of clumsiness in German, which often includes quite a few uppercase letters. Diacritical marks and additional alphabetic forms required by many Western, Central, and Eastern European languages are naturally a part of the character set, including those needed in the Baltic states, for Romanian, and for Turkish. Malabar's accents are bold and direct, sitting well with their base glyphs. The family includes three weights, each with a companion Italic. Malabar Regular is equipped with small caps, and both it and Malabar Italic include oldstyle figures. All members of the family have both proportional and tabular-width lining figures, as well as special variants of certain punctuation marks vertically adjusted for all-caps text setting. Malabar is informed both by contemporary ideas of typeface design (sheared terminals, the wider-drawn s) as well as by 16th-century masters. Malabar Heavy and Heavy Italic are very loud; their blackness almost shouts out from the page. The Regular's wedge serifs become more slab-ish in nature as the letters' weight increases. Martel Heavy and Heavy Italic are best relegated to headline use only. Martel Bold and Bold Italic may be used for text emphasis, a job for which the Heavy is to dark."
URL Vendor: http://www.linotype.com
URL Designer: http://www.linotype.com/fontdesigners
Pixel unit: 1000
Vertical minimum: -269
Vertical maximum: 1078
Horizontal minimum: -135
Horizontal maximum: 1187
Mac Style: 0
Minimum readable pixel size: 8
Font direction: 2
Ascending part: 767
Descending part: -233
Line spacing: 347
Maximum step width: 1237
Minimum left side beraring: -135
Minimum right side beraring: -120
Non component maximum points 155
Non component maximum contours 7
Word weight type: 400
Word width type: 5
Size of superscript horizontal font : 700
Size of superscript vertical font 650
Superscript horizontal deviation 0
Superscript vertical deviation 140
Size of subscript level font: 700
Size of subscript vertical 650
Subscript horizontal offset: 0
Subscript vertical offset: 477
Delete line size: 50
Delete line position: 250
Font selection identifier: 64
Typography ascending: 767
Typography descending -233
Typography spacing: 347
Ascending part: 1070
Descending part: 277
Bevel: 0
Underline position: -75
Underline thickness: 50