| Font family: | Optima LT Pro |
| Font style: | |
| Font version: | Version 2.000 Build 1000 |
| Typeface type: | |
| Characters: | 446 |
| Number of glyphs: | 416 |
| Font weight: | |
| Font width: | |
| Languages: | |
| Unicode blocks: | |
| Source: | |
| File format: | |
| License type: | |
| Font embedding license: |
| Copyright notice: | Copyright © 2014 Monotype Imaging Inc. All rights reserved. |
| Font family: | Optima LT Pro |
| Font Subfamily name: | Bold Italic |
| Unique font identifier: | Monotype Imaging Inc.:Optima LT Pro Bold Italic:2014 |
| Full font name: | OptimaLTPro-BoldItalic |
| Version string: | Version 2.000 Build 1000 |
| Postscript name: | OptimaLTPro-BoldItalic |
| Trademark: | Optima is a trademark of Monotype Imaging Inc. registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. |
| Manufacturer Name: | Monotype Imaging Inc. |
| Designer: | Hermann Zapf |
| Description: | Optima was designed by Hermann Zapf and is his most successful typeface. In 1950, Zapf made his first sketches while visiting the Santa Croce church in Florence. He sketched letters from grave plates that had been cut about 1530, and as he had no other paper with him at the time, the sketches were done on two 1000 lire bank notes. These letters from the floor of the church inspired Optima, a typeface that is classically roman in proportion and character, but without serifs. The letterforms were designed in the proportions of the Golden Ratio. In 1952, after careful legibility testing, the first drawings were finished. The type was cut by the famous punchcutter August Rosenberger at the D. Stempel AG typefoundry in Frankfurt. Optima was produced in matrices for the Linotype typesetting machines and released in 1958. With the clear, simple elegance of its sans serif forms and the warmly human touches of its tapering stems, this family has proved popular around the world. Optima is an all-purpose typeface; it works for just about anything from book text to signage. It is available in 12 weights and 4 companion fonts with Central European characters and accents. In 2002, more than 50 years after the first sketches, Hermann Zapf and Akira Kobayashi completed Optima nova, an expansion and redesign of the Optima family. |
| License Info URL: | http://www.monotype.com/ |
| Pixel unit: | 1000 |
| Vertical minimum: | -264 |
| Vertical maximum: | 970 |
| Horizontal minimum: | -148 |
| Horizontal maximum: | 1028 |
| Mac Style: | 3 |
| Minimum readable pixel size: | 3 |
| Font direction: | 2 |
| Ascending part: | 733 |
| Descending part: | -267 |
| Line spacing: | 200 |
| Maximum step width: | 1007 |
| Minimum left side beraring: | -148 |
| Minimum right side beraring: | -231 |
| Non component maximum points | 0 |
| Non component maximum contours | 0 |
| Word weight type: | 700 |
| Word width type: | 5 |
| Size of superscript horizontal font : | 650 |
| Size of superscript vertical font | 600 |
| Superscript horizontal deviation | -16 |
| Superscript vertical deviation | 75 |
| Size of subscript level font: | 650 |
| Size of subscript vertical | 600 |
| Subscript horizontal offset: | 74 |
| Subscript vertical offset: | 350 |
| Delete line size: | 50 |
| Delete line position: | 280 |
| Font selection identifier: | 417 |
| Typography ascending: | 733 |
| Typography descending | -267 |
| Typography spacing: | 200 |
| Ascending part: | 931 |
| Descending part: | 264 |
| Bevel: | -786432 |
| Underline position: | -75 |
| Underline thickness: | 50 |