| Font family: | Times NR MT Pro |
| Font style: | |
| Font version: | Version 1.000 Build 1000 |
| Typeface type: | |
| Characters: | 438 |
| Number of glyphs: | 441 |
| Font weight: | |
| Font width: | |
| Languages: | |
| Unicode blocks: |
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| Source: | |
| File format: | |
| License type: | |
| Font embedding license: |
| Copyright notice: | Copyright © 2015 The Monotype Corporation. All rights reserved. |
| Font family: | Times NR MT Pro Cond |
| Font Subfamily name: | Regular |
| Unique font identifier: | Monotype Imaging Inc.:Times NR MT Pro Condensed:2015 |
| Full font name: | TimesNRMTPro-Cond |
| Version string: | Version 1.000 Build 1000 |
| Postscript name: | TimesNRMTPro-Cond |
| Trademark: | Times New Roman is a trademark of The Monotype Corporation registered in the United States Patent and Trademark Office and may be registered in certain jurisdictions. |
| Manufacturer Name: | Monotype Imaging Inc. |
| Designer: | Stanley Morison, Victor Lardent |
| Description: | Stanley Morison, typographic advisor to Monotype, was also made typographic advisor to The Times of London newspaper in 1929. One of his first responsibilities in the latter position was to redesign the newspaper. Several existing typestyles were tried as replacements for the typeface the newspaper had been using for years; but Morison and The Times executive staff found them unsuitable for one reason or another. The decision was then made to create a new, custom, design. The criteria was simple: the new design would have to appear larger than its predecessor, could take up no more space, should be slightly heavier and, ultimately, must be highly legible. Morison felt that basing the new design on the Plantin design would begin to satisfy much of the criteria. He provided Victor Lardent, a Monotype designer, with photographs of Plantin specimens and a list of instructions. The two worked together as art director and designer on the project for over two years. The new design was first used in The Times newspaper in 1932 and was then offered to the public as commercial fonts in 1933. Since The Times used both Monotype and Linotype machines to set type for its issues, a second, almost identical design, was produced by Linotype for their typesetters. The Times Roman typeface was the result of this design effort. Over the years, Times New Roman has been translated into phototype and digital fonts. The Times New Roman design enjoyed another surge of popularity when it became one of the stable of typefaces routinely bundled with computer operating systems and productivity software. Times New Roman Seven is a special design that can be used for text blocks in smaller point sizes. |
| License Info URL: | http://www.monotype.com |
| Typographic Family name: | Times NR MT Pro |
| Typographic Subfamily name: | Condensed |
| Pixel unit: | 1000 |
| Vertical minimum: | -250 |
| Vertical maximum: | 924 |
| Horizontal minimum: | -147 |
| Horizontal maximum: | 1000 |
| Mac Style: | 0 |
| Minimum readable pixel size: | 3 |
| Font direction: | 2 |
| Ascending part: | 717 |
| Descending part: | -283 |
| Line spacing: | 200 |
| Maximum step width: | 1000 |
| Minimum left side beraring: | -147 |
| Minimum right side beraring: | -147 |
| Non component maximum points | 0 |
| Non component maximum contours | 0 |
| Word weight type: | 400 |
| Word width type: | 3 |
| Size of superscript horizontal font : | 650 |
| Size of superscript vertical font | 600 |
| Superscript horizontal deviation | 0 |
| Superscript vertical deviation | 75 |
| Size of subscript level font: | 650 |
| Size of subscript vertical | 600 |
| Subscript horizontal offset: | 0 |
| Subscript vertical offset: | 350 |
| Delete line size: | 50 |
| Delete line position: | 274 |
| Font selection identifier: | 448 |
| Typography ascending: | 717 |
| Typography descending | -283 |
| Typography spacing: | 200 |
| Ascending part: | 924 |
| Descending part: | 250 |
| Bevel: | 0 |
| Underline position: | -75 |
| Underline thickness: | 50 |