| Font family: | Mon Nicolette Grande |
| Font style: | |
| Font version: | Version 1.000;hotconv 1.0.109;makeotfexe 2.5.65596 |
| Typeface type: | |
| Characters: | 505 |
| Number of glyphs: | 1033 |
| Font weight: | |
| Font width: | |
| Languages: | |
| Unicode blocks: |
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| Source: | |
| File format: | |
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| Copyright notice: | Copyright © 2020 by Cristobal Henestrosa. Published and distributed by Sudtipos. All rights reserved. |
| Font family: | Mon Nicolette Grande |
| Font Subfamily name: | Regular |
| Unique font identifier: | 1.000;UKWN;MonNicoletteGrande-Regular |
| Full font name: | Mon Nicolette Grande Regular |
| Version string: | Version 1.000;hotconv 1.0.109;makeotfexe 2.5.65596 |
| Postscript name: | MonNicoletteGrande-Regular |
| Trademark: | Mon Nicolette is a trademark of Cristobal Henestrosa. |
| Manufacturer Name: | Sudtipos |
| Designer: | Cristobal Henestrosa, Oscar Yañez (collaborator) |
| Description: | This is a digital revival by Cristóbal Henestrosa based on an experimental typeface named Charter, designed – yet never fully accomplished – by the prominent William Addison Dwiggins. It is an upright italic, unconnected script typeface, whose main features are a pronounced contrast, condensed forms and exaggerated ascenders. While Dwiggins worked on this project from 1937 to 1955, he only completed the lowercase and a few other characters. However, it was used to set a specimen in 1942 and a short novel in 1946. The sources that Cristóbal used for Mon Nicolette were the original sketches by WAD as well as printing trails kept at the Boston Public Library, and a copy of the 1946 edition of The Song-Story of Aucassin and Nicolette. This gorgeous typeface can be used successfully in headlines, subheads and short passages of text from 12 points onwards, in applications such as fashion magazines, soft news, advertising, poetry, albums, and book covers. This project started ten years ago, while Cristóbal was studying the Type@Cooper Extended Program at New York City. A previous version was selected to be part of the Biennial Tipos Latinos 2018, and now Mon Nicolette is finally ready for commercial distribution with Sudtipos… and we are very proud of it! Festina lente. |
| URL Vendor: | http://www.sudtipos.com |
| URL Designer: | http://estudio-ch.com |
| Pixel unit: | 1000 |
| Vertical minimum: | -225 |
| Vertical maximum: | 985 |
| Horizontal minimum: | -510 |
| Horizontal maximum: | 1365 |
| Mac Style: | 0 |
| Minimum readable pixel size: | 3 |
| Font direction: | 2 |
| Ascending part: | 775 |
| Descending part: | -225 |
| Line spacing: | 200 |
| Maximum step width: | 1410 |
| Minimum left side beraring: | -510 |
| Minimum right side beraring: | -125 |
| Non component maximum points | 0 |
| Non component maximum contours | 0 |
| Word weight type: | 400 |
| Word width type: | 5 |
| Size of superscript horizontal font : | 650 |
| Size of superscript vertical font | 600 |
| Superscript horizontal deviation | 0 |
| Superscript vertical deviation | 75 |
| Size of subscript level font: | 650 |
| Size of subscript vertical | 600 |
| Subscript horizontal offset: | 0 |
| Subscript vertical offset: | 350 |
| Delete line size: | 50 |
| Delete line position: | 234 |
| Font selection identifier: | 192 |
| Typography ascending: | 775 |
| Typography descending | -225 |
| Typography spacing: | 200 |
| Ascending part: | 975 |
| Descending part: | 225 |
| Bevel: | 0 |
| Underline position: | -75 |
| Underline thickness: | 50 |