| Font family: | Bodoni Std |
| Font style: | |
| Font version: | Version 1.000 Build 1000 |
| Typeface type: | |
| Characters: | 286 |
| Number of glyphs: | 270 |
| Font weight: | |
| Font width: | |
| Languages: | |
| Unicode blocks: | |
| Source: | |
| File format: | |
| License type: | |
| Font embedding license: | |
| Foundry: | |
| Designer: |
| Copyright notice: | Copyright © 2014 Monotype Imaging Inc. All rights reserved. |
| Font family: | Bodoni Std Bold Condensed |
| Font Subfamily name: | Regular |
| Unique font identifier: | Monotype Imaging Inc.:Bodoni Std Bold Condensed:2014 |
| Full font name: | BodoniStd-BoldCondensed |
| Version string: | Version 1.000 Build 1000 |
| Postscript name: | BodoniStd-BoldCondensed |
| Manufacturer Name: | Monotype Imaging Inc. |
| Designer: | Benton, Morris; Fuller |
| Description: | Giambattista Bodoni (1740-1813) was called the King of Printers; he was a prolific type designer, a masterful engraver of punches and the most widely admired printer of his time. His books and typefaces were created during the 45 years he was the director of the fine press and publishing house of the Duke of Parma in Italy. He produced the best of what are known as "modern" style types, basing them on the finest writing of his time. Modern types represented the ultimate typographic development of the late eighteenth and early nineteenth centuries. They have characteristics quite different from the types that preceded them; such as extreme vertical stress, fine hairlines contrasted by bold main strokes, and very subtle, almost non-existent bracketing of sharply defined hairline serifs. Bodoni saw this style as beautiful and harmonious-the natural result of writing done with a well-cut pen, and the look was fashionable and admired. Other punchcutters, such as the Didot family (1689-1853) in France, and J. E. Walbaum (1768-1839) in Germany made their own versions of the modern faces. Even though some nineteenth century critics turned up their noses and called such types shattering and chilly, today the Bodoni moderns are seen in much the same light as they were in his own time. When used with care, the Bodoni types are both romantic and elegant, with a presence that adds tasteful sparkle to headlines and advertising. This version of Bodoni was done by Morris Fuller Benton for American Typefounders between 1907 and 1911. Although some of the finer details of the original Bodoni types are missing, this family has the high contrast and vertical stress typical of modern types. It works well for headlines, logos, advertising, and text. |
| URL Designer: | http://www.monotype.com |
| License Description: | This font software is the property of Monotype Imaging Inc., or one of its affiliated entities (collectively, Monotype) and its use by you is covered under the terms of a license agreement. You have obtained this font software either directly from Monotype or together with software distributed by one of the licensees of Monotype. This software is a valuable asset of Monotype. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited by the terms of the actual license agreement you have entered into with Monotype. You may not copy or distribute this software. If you have any questions concerning your rights you should review the license agreement you received with the software. You can learn more about Monotype here: www.monotype.com |
| License Info URL: | http://www.monotype.com |
| Typographic Family name: | Bodoni Std |
| Typographic Subfamily name: | Bold Condensed |
| Pixel unit: | 1000 |
| Vertical minimum: | -273 |
| Vertical maximum: | 868 |
| Horizontal minimum: | -106 |
| Horizontal maximum: | 1000 |
| Mac Style: | 0 |
| Minimum readable pixel size: | 3 |
| Font direction: | 2 |
| Ascending part: | 698 |
| Descending part: | -302 |
| Line spacing: | 200 |
| Maximum step width: | 1000 |
| Minimum left side beraring: | -106 |
| Minimum right side beraring: | -117 |
| Non component maximum points | 0 |
| Non component maximum contours | 0 |
| Word weight type: | 700 |
| Word width type: | 3 |
| Size of superscript horizontal font : | 650 |
| Size of superscript vertical font | 600 |
| Superscript horizontal deviation | 0 |
| Superscript vertical deviation | 75 |
| Size of subscript level font: | 650 |
| Size of subscript vertical | 600 |
| Subscript horizontal offset: | 0 |
| Subscript vertical offset: | 350 |
| Delete line size: | 50 |
| Delete line position: | 235 |
| Font selection identifier: | 384 |
| Typography ascending: | 698 |
| Typography descending | -302 |
| Typography spacing: | 200 |
| Ascending part: | 868 |
| Descending part: | 273 |
| Bevel: | 0 |
| Underline position: | -75 |
| Underline thickness: | 50 |