Font family: Bodoni Std
Font style:
Font version: Version 1.000 Build 1000
Typeface type:
Characters: 286
Number of glyphs: 270
Font weight:
Font width:
Languages:
Unicode blocks:
Source:
File format:
License type: The way of license is for reference only. Please contact the copyright party to purchase commercial license.
Font embedding license:
Foundry:
Designer:
Copyright notice: Copyright © 2014 Monotype Imaging Inc. All rights reserved.
Font family: Bodoni Std
Font Subfamily name: Bold
Unique font identifier: Monotype Imaging Inc.:Bodoni Std Bold:2014
Full font name: BodoniStd-Bold
Version string: Version 1.000 Build 1000
Postscript name: BodoniStd-Bold
Manufacturer Name: Monotype Imaging Inc.
Designer: Benton, Morris; Fuller
Description: Giambattista Bodoni (1740-1813) was called the King of Printers; he was a prolific type designer, a masterful engraver of punches and the most widely admired printer of his time. His books and typefaces were created during the 45 years he was the director of the fine press and publishing house of the Duke of Parma in Italy. He produced the best of what are known as ""modern"" style types, basing them on the finest writing of his time. Modern types represented the ultimate typographic development of the late eighteenth and early nineteenth centuries. They have characteristics quite different from the types that preceded them; such as extreme vertical stress, fine hairlines contrasted by bold main strokes, and very subtle, almost non-existent bracketing of sharply defined hairline serifs. Bodoni saw this style as beautiful and harmonious-the natural result of writing done with a well-cut pen, and the look was fashionable and admired. Other punchcutters, such as the Didot family (1689-1853) in France, and J. E. Walbaum (1768-1839) in Germany made their own versions of the modern faces. Even though some nineteenth century critics turned up their noses and called such types shattering and chilly, today the Bodoni moderns are seen in much the same light as they were in his own time. When used with care, the Bodoni types are both romantic and elegant, with a presence that adds tasteful sparkle to headlines and advertising. The Bauer Bodoni was done by Heinrich Jost for Bauer Typefoundry in 1927. This version has finer details of the original Bodoni types. It works well for headlines, logos, advertising.
URL Designer: http://www.monotype.com
License Description: This font software is the property of Monotype Imaging Inc., or one of its affiliated entities (collectively, Monotype) and its use by you is covered under the terms of a license agreement. You have obtained this font software either directly from Monotype or together with software distributed by one of the licensees of Monotype. This software is a valuable asset of Monotype. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited by the terms of the actual license agreement you have entered into with Monotype. You may not copy or distribute this software. If you have any questions concerning your rights you should review the license agreement you received with the software. You can learn more about Monotype here: www.monotype.com
License Info URL: http://www.monotype.com
Pixel unit: 1000
Vertical minimum: -250
Vertical maximum: 955
Horizontal minimum: -168
Horizontal maximum: 1004
Mac Style: 1
Minimum readable pixel size: 3
Font direction: 2
Ascending part: 698
Descending part: -302
Line spacing: 200
Maximum step width: 1056
Minimum left side beraring: -168
Minimum right side beraring: -166
Non component maximum points 0
Non component maximum contours 0
Word weight type: 700
Word width type: 5
Size of superscript horizontal font : 650
Size of superscript vertical font 600
Superscript horizontal deviation 0
Superscript vertical deviation 75
Size of subscript level font: 650
Size of subscript vertical 600
Subscript horizontal offset: 0
Subscript vertical offset: 350
Delete line size: 50
Delete line position: 235
Font selection identifier: 416
Typography ascending: 698
Typography descending -302
Typography spacing: 200
Ascending part: 955
Descending part: 250
Bevel: 0
Underline position: -75
Underline thickness: 50