| Font family: | Real Head Pro |
| Font style: | |
| Font version: | Version 7.70 |
| Typeface type: | |
| Characters: | 605 |
| Number of glyphs: | 1072 |
| Font weight: | |
| Font width: | |
| Languages: | |
| Unicode blocks: |
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| Source: | |
| File format: | |
| License type: | |
| Font embedding license: | |
| Foundry: | |
| Designer: |
| Copyright notice: | Copyright © 2015-2020 Monotype GmbH. All rights reserved. |
| Font family: | Real Head Pro Extrabold |
| Font Subfamily name: | Italic |
| Unique font identifier: | Real Head Pro Extrabold Italic:2015-2020:S3:2.6.6 b1346 |
| Full font name: | Real Head Pro Extrabold Italic |
| Version string: | Version 7.70 |
| Postscript name: | RealHeadPro-ExtraboldIta |
| Trademark: | Real is a trademark of Monotype GmbH and may be registered in certain jurisdictions. FF is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. |
| Manufacturer Name: | Monotype GmbH |
| Designer: | "Erik Spiekermann, Ralph du Carrois and Natalie Rauch" |
| Description: | FF Real was originally conceived by Erik Spiekermann as one text weight and one headline weight to be used as the only faces in his biography Hello I am Erik, edited by Johannes Erler, published in 2014. While Spiekermann drew the alphabets, he passed on the font data to Ralph du Carrois who cleaned it up and completed it. In the meantime FF Real has been extended to a family of two styles and 13 weights each. The design of FF Real is rooted in early static grotesques from the turn of the century. Several German type foundries – among them the Berlin-based foundries Theinhardt and H. Berthold AG – released such designs between 1898 and 1908. The semi-bold weight of a poster-size typeface that was lighter than most of the according semi-bolds in metal type at the time, gave the impetus to FF Real’s regular weight. In the words of Spiekermann, the historical example is “the real, non-fake version, as it were, the royal sans serif face“, thus giving his new typeface the name “Real” (which is also in keeping with his four-letter names, i.e. FF Meta, FF Unit). FF Real is a convincing re-interpretation of the German grotesque style, but with much more warmth and improved legibility. With a hint towards the warmer American grotesques, Spiekermann added those typical Anglo-American features such as a three-story ‘g’ and an ‘8’ with a more defined loop. To better distinguish characters in small text sizes, FF Real Text comes in old style figures, ‘f’ and ‘t’ are wider, the capital ‘I’ is equipped with serifs, as is the lowercase ‘l’. What’s more, i-dots and all punctuation are round. In Spiekermann’s biography FF Real Text has proven to endure all challenges of a proper text face without an italic, while FF Real Head cuts a fine figure in larger sizes with a more reduced look. |
| URL Vendor: | http://www.monotype.com |
| License Info URL: | http://www.monotype.com |
| Typographic Family name: | Real Head Pro |
| Typographic Subfamily name: | Extrabold Italic |
| Pixel unit: | 1000 |
| Vertical minimum: | -342 |
| Vertical maximum: | 1114 |
| Horizontal minimum: | -498 |
| Horizontal maximum: | 1490 |
| Mac Style: | 2 |
| Minimum readable pixel size: | 3 |
| Font direction: | 2 |
| Ascending part: | 1036 |
| Descending part: | -353 |
| Line spacing: | 0 |
| Maximum step width: | 1516 |
| Minimum left side beraring: | -498 |
| Minimum right side beraring: | -208 |
| Non component maximum points | 0 |
| Non component maximum contours | 0 |
| Word weight type: | 800 |
| Word width type: | 5 |
| Size of superscript horizontal font : | 650 |
| Size of superscript vertical font | 600 |
| Superscript horizontal deviation | -8 |
| Superscript vertical deviation | 75 |
| Size of subscript level font: | 650 |
| Size of subscript vertical | 600 |
| Subscript horizontal offset: | 37 |
| Subscript vertical offset: | 350 |
| Delete line size: | 148 |
| Delete line position: | 311 |
| Font selection identifier: | 257 |
| Typography ascending: | 800 |
| Typography descending | -200 |
| Typography spacing: | 389 |
| Ascending part: | 1036 |
| Descending part: | 353 |
| Bevel: | -393216 |
| Underline position: | -131 |
| Underline thickness: | 148 |