| Font family: | Stempel Garamond LT Pro |
| Font style: | |
| Font version: | Version 3.000 Build 1000 |
| Typeface type: | |
| Characters: | 586 |
| Number of glyphs: | 555 |
| Font weight: | |
| Font width: | |
| Languages: | |
| Unicode blocks: | |
| Source: | |
| File format: | |
| License type: | |
| Font embedding license: | |
| Foundry: |
| Copyright notice: | Copyright © 2014 Monotype GmbH. All rights reserved. |
| Font family: | Stempel Garamond LT Pro |
| Font Subfamily name: | Bold Italic |
| Unique font identifier: | Monotype GmbH.:Stempel Garamond LT Pro Bold Italic:2014 |
| Full font name: | StempelGaramondLTPro-BoldIt |
| Version string: | Version 3.000 Build 1000 |
| Postscript name: | StempelGaramondLTPro-BoldIt |
| Trademark: | Stempel Garamond is a trademark of Monotype GmbH and may be registered in certain jurisdictions. |
| Manufacturer Name: | Monotype GmbH |
| Designer: | D. Stempel AG |
| Description: | Claude Garamond (ca. 1480-1561) cut types for the Parisian scholar-printer Robert Estienne in the first part of the sixteenth century, basing his romans on the types cut by Francesco Griffo for Venetian printer Aldus Manutius in 1495. Garamond refined his romans in later versions, adding his own concepts as he developed his skills as a punchcutter. After his death in 1561, the Garamond punches made their way to the printing office of Christoph Plantin in Antwerp, where they were used by Plantin for many decades, and still exist in the Plantin-Moretus museum. Other Garamond punches went to the Frankfurt foundry of Egenolff-Berner, who issued a specimen in 1592 that became an important source of information about the Garamond types for later scholars and designers. In 1621, sixty years after Garamond's death, the French printer Jean Jannon (1580-1635) issued a specimen of typefaces that had some characteristics similar to the Garamond designs, though his letters were more asymmetrical and irregular in slope and axis. Jannon's types disappeared from use for about two hundred years, but were re-discovered in the French national printing office in 1825, when they were wrongly attributed to Claude Garamond. Their true origin was not to be revealed until the 1927 research of Beatrice Warde. In the early 1900s, Jannon's types were used to print a history of printing in France, which brought new attention to French typography and the Garamond" types. This sparked the beginning of modern revivals; some based on the mistaken model from Jannon's types, and others on the original Garamond types. Italics for Garamond fonts have sometimes been based on those cut by Robert Granjon (1513-1589), who worked for Plantin and whose types are also on the Egenolff-Berner specimen. There exists several versions of the Garamond typefaces. Though they vary in design and model of origin, they are all considered to be distinctive representations of French Renaissance style; easily recognizable by their elegance and readability. First released by D. Stempel AG in 1925, Stempel Garamond was based on the Egenolff-Berner specimen of 1592 and was therefore a revival of the genuine Garamond types. It is one of the most famous Garamond interpretations, and since its introduction in 1925, it has been one of the most frequently used text fonts. Stempel Garamond has its own unique temperament, with a rhythm and sharpness that set it apart from other Garamonds. Stempel Garamond is available in several weights with small caps, old style figures, and Central European characters. |
| URL Vendor: | http://www.monotype.com/ |
| URL Designer: | http://www.monotype.com/ |
| License Description: | This font software is the property of Monotype Imaging Inc., or one of its affiliated entities (collectively, Monotype) and its use by you is covered under the terms of a license agreement. You have obtained this font software either directly from Monotype or together with software distributed by one of the licensees of Monotype. This software is a valuable asset of Monotype. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited by the terms of the actual license agreement you have entered into with Monotype. You may not copy or distribute this software. If you have any questions concerning your rights you should review the license agreement you received with the software. You can learn more about Monotype here: www.monotype.com |
| License Info URL: | http://www.monotype.com/ |
| Pixel unit: | 1000 |
| Vertical minimum: | -289 |
| Vertical maximum: | 1000 |
| Horizontal minimum: | -159 |
| Horizontal maximum: | 1099 |
| Mac Style: | 3 |
| Minimum readable pixel size: | 3 |
| Font direction: | 2 |
| Ascending part: | 1000 |
| Descending part: | -289 |
| Line spacing: | 0 |
| Maximum step width: | 1000 |
| Minimum left side beraring: | -159 |
| Minimum right side beraring: | -246 |
| Non component maximum points | 0 |
| Non component maximum contours | 0 |
| Word weight type: | 700 |
| Word width type: | 5 |
| Size of superscript horizontal font : | 650 |
| Size of superscript vertical font | 600 |
| Superscript horizontal deviation | -16 |
| Superscript vertical deviation | 75 |
| Size of subscript level font: | 650 |
| Size of subscript vertical | 600 |
| Subscript horizontal offset: | 74 |
| Subscript vertical offset: | 350 |
| Delete line size: | 50 |
| Delete line position: | 254 |
| Font selection identifier: | 289 |
| Typography ascending: | 757 |
| Typography descending | -243 |
| Typography spacing: | 200 |
| Ascending part: | 1000 |
| Descending part: | 289 |
| Bevel: | -786432 |
| Underline position: | -75 |
| Underline thickness: | 50 |