| Copyright notice: |
Copyright © 1981 - 2011 Linotype GmbH, www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype GmbH. Stempel Garamond is a trademark of Linotype GmbH and may be registered in certain jurisdictions. This typeface is original artwork of D. Stempel AG. The design may be protected in certain jurisdictions.1988, 1993, 1995, 1998, 2002 Adobe Systems Incorporated. All rights reserved. |
| Font family: |
Stempel Garamond LT Pro |
| Font Subfamily name: |
Regular |
| Unique font identifier: |
Linotype GmbH:Stempel Garamond LT Pro Roman:2011 |
| Full font name: |
Stempel Garamond LT Pro Roman |
| Version string: |
Version 2.00 |
| Postscript name: |
StempelGaramondLTPro-Roman |
| Trademark: |
Stempel Garamond is a trademark of Linotype GmbH and may be registered in certain jurisdictions. |
| Manufacturer Name: |
Linotype GmbH |
| Designer: |
D. Stempel AG |
| Description: |
Claude Garamond (ca. 1480-1561) cut types for the Parisian scholar-printer Robert Estienne in the first part of the sixteenth century, basing his romans on the types cut by Francesco Griffo for Venetian printer Aldus Manutius in 1495. Garamond refined his romans in later versions, adding his own concepts as he developed his skills as a punchcutter. After his death in 1561, the Garamond punches made their way to the printing office of Christoph Plantin in Antwerp, where they were used by Plantin for many decades, and still exist in the Plantin-Moretus museum. Other Garamond punches went to the Frankfurt foundry of Egenolff-Berner, who issued a specimen in 1592 that became an important source of information about the Garamond types for later scholars and designers. In 1621, sixty years after Garamond's death, the French printer Jean Jannon (1580-1635) issued a specimen of typefaces that had some characteristics similar to the Garamond designs, though his letters were more asymmetrical and irregular in slope and axis. Jannon's types disappeared from use for about two hundred years, but were re-discovered in the French national printing office in 1825, when they were wrongly attributed to Claude Garamond. Their true origin was not to be revealed until the 1927 research of Beatrice Warde. In the early 1900s, Jannon's types were used to print a history of printing in France, which brought new attention to French typography and the "Garamond" types. This sparked the beginning of modern revivals; some based on the mistaken model from Jannon's types, and others on the original Garamond types. Italics for Garamond fonts have sometimes been based on those cut by Robert Granjon (1513-1589), who worked for Plantin and whose types are also on the Egenolff-Berner specimen. Linotype has several versions of the Garamond typefaces. Though they vary in design and model of origin, they are all considered to be distinctive representations of French Renaissance style; easily recognizable by their elegance and readability. First released by D. Stempel AG in 1925, Stempel Garamond was based on the Egenolff-Berner specimen of 1592 and was therefore a revival of the genuine Garamond types. It is one of the most famous Garamond interpretations, and since its introduction in 1925, it has been one of the most frequently used text fonts. Stempel Garamond has its own unique temperament, with a rhythm and sharpness that set it apart from other Garamonds. Stempel Garamond is available in several weights with small caps, Old style Figures, and Central European characters. |
| URL Vendor: |
http://www.linotype.com |
| URL Designer: |
http://www.linotype.com/fontdesigners |
| License Description: |
NOTIFICATION OF LICENSE AGREEMENT
You have obtained this font software either directly from Linotype GmbH or together with software distributed by one of Linotype's licensees.
This font software is a valuable asset of Linotype GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this font software is limited to your workstation for your own use. You may not copy or distribute this font software. If you have any questions regarding your license terms, please review the license agreement you received with the software.
General license terms and usage rights can be viewed at www.linotype.com/license.
Generelle Lizenzbedingungen und Nutzungsrechte finden Sie unter www.linotype.com/license.
Pour plus d'informations concernant le contrat d'utilisation du logiciel de polices, veuillez consulter notre site web www.linotype.com/license.
Linotype GmbH can be contacted at:
Tel.: +49(0)6172 484-418 |
| License Info URL: |
http://www.linotype.com/license |
| Compatible Full: |
Stempel Garamond LT Pro |
| Copyright notice: |
Copyright © 1981 - 2011 Linotype GmbH, www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype GmbH. Stempel Garamond is a trademark of Linotype GmbH and may be registered in certain jurisdictions. This typeface is original artwork of D. Stempel AG. The design may be protected in certain jurisdictions.1988, 1993, 1995, 1998, 2002 Adobe Systems Incorporated. All rights reserved. |
| Font family: |
Stempel Garamond LT Pro |
| Font Subfamily name: |
Regular |
| Unique font identifier: |
Linotype GmbH:Stempel Garamond LT Pro Roman:2011 |
| Full font name: |
StempelGaramondLTPro-Roman |
| Version string: |
Version 2.00 |
| Postscript name: |
StempelGaramondLTPro-Roman |
| Trademark: |
Stempel Garamond is a trademark of Linotype GmbH and may be registered in certain jurisdictions. |
| Manufacturer Name: |
Linotype GmbH |
| Designer: |
D. Stempel AG |
| Description: |
Claude Garamond (ca. 1480-1561) cut types for the Parisian scholar-printer Robert Estienne in the first part of the sixteenth century, basing his romans on the types cut by Francesco Griffo for Venetian printer Aldus Manutius in 1495. Garamond refined his romans in later versions, adding his own concepts as he developed his skills as a punchcutter. After his death in 1561, the Garamond punches made their way to the printing office of Christoph Plantin in Antwerp, where they were used by Plantin for many decades, and still exist in the Plantin-Moretus museum. Other Garamond punches went to the Frankfurt foundry of Egenolff-Berner, who issued a specimen in 1592 that became an important source of information about the Garamond types for later scholars and designers. In 1621, sixty years after Garamond's death, the French printer Jean Jannon (1580-1635) issued a specimen of typefaces that had some characteristics similar to the Garamond designs, though his letters were more asymmetrical and irregular in slope and axis. Jannon's types disappeared from use for about two hundred years, but were re-discovered in the French national printing office in 1825, when they were wrongly attributed to Claude Garamond. Their true origin was not to be revealed until the 1927 research of Beatrice Warde. In the early 1900s, Jannon's types were used to print a history of printing in France, which brought new attention to French typography and the "Garamond" types. This sparked the beginning of modern revivals; some based on the mistaken model from Jannon's types, and others on the original Garamond types. Italics for Garamond fonts have sometimes been based on those cut by Robert Granjon (1513-1589), who worked for Plantin and whose types are also on the Egenolff-Berner specimen. Linotype has several versions of the Garamond typefaces. Though they vary in design and model of origin, they are all considered to be distinctive representations of French Renaissance style; easily recognizable by their elegance and readability. First released by D. Stempel AG in 1925, Stempel Garamond was based on the Egenolff-Berner specimen of 1592 and was therefore a revival of the genuine Garamond types. It is one of the most famous Garamond interpretations, and since its introduction in 1925, it has been one of the most frequently used text fonts. Stempel Garamond has its own unique temperament, with a rhythm and sharpness that set it apart from other Garamonds. Stempel Garamond is available in several weights with small caps, Old style Figures, and Central European characters. |
| URL Vendor: |
http://www.linotype.com |
| URL Designer: |
http://www.linotype.com/fontdesigners |
| License Description: |
NOTIFICATION OF LICENSE AGREEMENT
You have obtained this font software either directly from Linotype GmbH or together with software distributed by one of Linotype's licensees.
This font software is a valuable asset of Linotype GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this font software is limited to your workstation for your own use. You may not copy or distribute this font software. If you have any questions regarding your license terms, please review the license agreement you received with the software.
General license terms and usage rights can be viewed at www.linotype.com/license.
Generelle Lizenzbedingungen und Nutzungsrechte finden Sie unter www.linotype.com/license.
Pour plus d'informations concernant le contrat d'utilisation du logiciel de polices, veuillez consulter notre site web www.linotype.com/license.
Linotype GmbH can be contacted at:
Tel.: +49(0)6172 484-418 |
| License Info URL: |
http://www.linotype.com/license |