Font family: Operetta 12
Font style:
Font version: Version 1.001;PS 001.001;hotconv 1.0.88;makeotf.lib2.5.64775
Typeface type:
Characters: 535
Number of glyphs: 911
Font weight:
Font width:
Languages:
Unicode blocks:
Source:
File format:
License type: The way of license is for reference only. Please contact the copyright party to purchase commercial license.
Font embedding license:
Copyright notice: Copyright © 2019 by Jan Tonellato. All rights reserved.
Font family: Operetta 12 Light
Font Subfamily name: Regular
Unique font identifier: 1.001;SVTD;Operetta12-Light
Full font name: Operetta 12 Light
Version string: Version 1.001;PS 001.001;hotconv 1.0.88;makeotf.lib2.5.64775
Postscript name: Operetta12-Light
Manufacturer Name: Jan Tonellato
Designer: Jan Tonellato
Description: OPERETTA FONT FAMILY FEATURES OPTICAL SIZES Operetta is distributed in 5 optical sizes. The number displayed in the font family name represents the minimal size in points the style should be used in print design. In web design you should double the minimum value for a retina screen, multiply by 4 for a 72dpi screen. Of course its rendering depends on the printing support, screen resolution etc. Therefore, take it as a suggestion or a starting point; make your own trials. Horizontal stems are equal as rendered at these values (horizontal lines have same thickness on Operetta 52 set at 52pt and Operetta 8 set at 8 points). OPENTYPE Opentype features let you activate lettershapes variants or display some magic combos. Access to these features depends on the software used. LIGA: standard ligatures (should be always on). It avoids collision switching f and j to shorter variants when needed. Also, it smartly switches stand-alone swashes to get the good one to combine to your glyph. (See expert features for more infos on standalone swashes) DLIG: discretionary ligatures. Ligature between T and lowercases with tall stem (b, h, k, l); WWW and www ligature, activates arrows (see SS01 feature), (c) to ©, (p) to ℗, (r) to ® CALT: contextual alternates. Transforms the x letter to the multiply sign (×) when between two figures and/or an extra space SWSH: swashed alternates for all capitals letters. Smart code prevents swashes in some contexts to avoid glyph collisions ZERO: activates slashed-zero alternate SUPS: superscripts. Activates superscript figures SUBS: subscripts. Activates subscript figures NUMR: numerators. Activates numerator figures DNOM: denominators. Activates denominator figures FRAC: real fractions from any [number] slash [number] sequence ORDN: ordinals. Creates ordinal versions for letters a b c d e h i l m n o r s t. If a or o are preceded by a figure and no letter follows, ordfeminine and ordmasculine are displayed. SS01: stylistic set 01 “Arrows”. Transforms: -> to →, <- to ←, --> to ⟶, <-- to ⟵, <-> to ↔, <—> to ⟷, ^- to ↑, -^ to ↓, ^-^ to ↕, /> to ↗, to ↘, <\ to ↖, -- to ⎯ (double hyphen makes a long connector) SS02: stylistic set 02 “Circled numbers”. Transforms (0) (1) (2) (3) (4) (5) (6) (7) (8) (9) to ⓪ ① ② ③ ④ ⑤ ⑥ ⑦ ⑧ ⑨ SS03: Stylistic set 03 “Center-aligned Fractions”. Transforms built-in fractions ½ ↉ ⅓ ⅔ ¼ ¾ ⅕ ⅖ ⅗ ⅘ ⅙ ⅚ ⅐ ⅛ ⅜ ⅝ ⅞ ⅑ ⅒ to their center-aligned variant (can be useful as it takes less space) SALT: stylistic alternates. This feature is compiled as a fallback for Photoshop. Activates SS01, SS02 and SS03 at once LOCL: language-based localised forms (see “expert features” paragraph) LNUM: Lining figures. Displays uppercase-aligned figures and case sensitive glyphs (see “expert features” below) ONUM: Oldstyle figures. Displays default figures and glyphs. TNUM: tabular figures. Switches figures and some related glyphs (see “expert features” paragraph) to tabular ones PNUM: Proportional figures. Reverts to default non-tabular figures. Tip: in most typesetting software, you’ll probably find the options “Tabular lining”, “Tabular oldstyle”, “Proportional lining” and “Proportional oldstyle”. These are just the combos of the last four features here upon. EXPERT FEATURES • Stand alone swashes you can combine with letters. 10 swashes are designed to be used with uppercase letters (ball terminals are bigger), 10 with lowercase ones. 6 Extra swashes are made to adapt to horizontal crossbars such as in letters A, G, e. Keep the “Ligatures” feature on to activate automatic substitutions and get the best swash for your letter. • Case-sensitive forms (matching uppercases) for these glyphs: ß 0 1 2 3 4 5 6 7 8 9 ⓪ ① ② ③ ④ ⑤ ⑥ ⑦ ⑧ ⑨ : ; · • ◦ ‣ ◆ ■ □ ▣ ( ) { } [ ] - – — ⎯ « » ‹ › ¢ ¤ $ € ƒ ₺ ₱ ₹ £ ¥ + − × ÷ = ≠ > < ≥ ≤ ± ≈ ~ ¬ ∅ ∞ % ↑ ↗ → ↘ ↓ ↙ ← ↖ ↔ ↕ ⟵ ⟶ ⟷ • Tabular glyphs or glyphs having their tabular alternate, letting you align them to tabular figures. Tabular glyphs are: π … # _ ⎯ ¢ $ € ƒ ₺ ₱ ₹ £ ¥ + − × ÷ = ≠ > < ≥ ≤ ± ≈ ~ ¬ ∅ ∞ ∫ √ µ ∂ % ↑ ↗ → ↘ ↓ ↙ ← ↖ ↔ ↕ ◊ ☐ ☑ ✓ Glyphs with tabular alternates: 0 1 2 3 4 5 6 7 8 9 . , : ; · " ' ° | ¦ Most of them have case-sensitive alternates too. In this font you’ll also find 3 long arrows ⟵ ⟶ ⟷ with their case sensitive alternate. Their length is exactly twice a tabular. • Bullet point has some variants you can pick by hand. They’re all designed to match bullet’s size: • ◦ ‣ ◆ ■ □ ▣ • Glyphs for business and literature: © ℗ ® ™ ℠ ℅ ℓ ℮ ‰ № ℃ ℉ ¶ § † ‡ ⁂ ⸫ ⸬ ⸪ • Glyphs for the web: ☐☑✓ (checkbox signs), www and WWW ligatures • 12 white spaces for advanced typesetting, including the tabular “figurespace” • Automatic language-based localised forms: 1. Uppercase ß for German 2. Consistent idot versus dotlessi for uppercases in Turkish 3. Kreska accent on ć ń ó ś ź in Polish 4. Punt Volat in Catalan 5. Accented ij in Dutch 6. Romanian and Moldovan Comma Accent on t and s 7. Automatic (France only) French typesetting optimisation by switching space with “narrownbspace” (narrow non-breaking space) after * » : ; ! % ‰ and before « * • Alternate letter shapes you can manually access with Glyphs panel (Adobe CC): 1. T letter without right arm to build custom ligatures with other glyphs 2. “horizontallineextension” is a longer version of hyphen, made to visually connect arrows, hyphens, math symbols, and other glyphs (its case sensitive version is aligned to H and E horizontal crossbars, ordinals baseline and more). “horizontallineextension” length is same as tabular figures • Combining diacritics you can put one upon another. Read more here https://glyphsapp.com/tutorials/mark-attachment LANGUAGES COVERAGE Operetta supports 219 Latin based languages: Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic (Latin), Asturian, Atayal, Aymara, Azerbaijani, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Cornish, Corsican, Creek, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut), Guadeloupean Creole, Gwich’in, Haitian Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotcąk (Latin), Hungarian, Icelandic, Ido, Igbo, Ilocano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese (Latin), Jèrriais, Kaingang, Kala Lagaw Ya, Kapampangan (Latin), Kaqchikel, Karakalpak (Latin), Karelian (Latin), Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Kurdish (Latin), Ladin, Latin, Latino sine Flexione, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Nahuatl, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Old Icelandic, Old Norse, Onĕipŏt, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Q’eqchi’, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami (Inari Sami), Sami (Lule Sami), Sami (Northern Sami), Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio (Latin), Somali, Sorbian (Lower Sorbian), Sorbian (Upper Sorbian), Sotho (Northern), Sotho (Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Tzotzil, Uzbek (Latin), Venetian, Vepsian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zarma, Zazaki, Zulu, Zuni.
URL Vendor: https://typography.synthview.com
URL Designer: https://www.synthview.com
License Info URL: Please refer to the EULA (End User License agreement) you received with this software.
Typographic Family name: Operetta 12
Typographic Subfamily name: Light
Pixel unit: 2000
Vertical minimum: -1012
Vertical maximum: 2392
Horizontal minimum: -347
Horizontal maximum: 4785
Mac Style: 0
Minimum readable pixel size: 3
Font direction: 2
Ascending part: 1922
Descending part: -478
Line spacing: 0
Maximum step width: 4798
Minimum left side beraring: -347
Minimum right side beraring: -668
Non component maximum points 0
Non component maximum contours 0
Word weight type: 300
Word width type: 5
Size of superscript horizontal font : 1300
Size of superscript vertical font 1200
Superscript horizontal deviation 0
Superscript vertical deviation 150
Size of subscript level font: 1300
Size of subscript vertical 1200
Subscript horizontal offset: 0
Subscript vertical offset: 700
Delete line size: 31
Delete line position: 553
Font selection identifier: 192
Typography ascending: 1912
Typography descending -478
Typography spacing: 10
Ascending part: 1922
Descending part: 478
Bevel: 0
Underline position: -197
Underline thickness: 31