Introducing "Width Test"
It seems that I am on roll, having released two new open source f
https://eng.m.fontke.com/article/23434/
CLDR Version 22 Released
Mountain View, CA, Sept. 10, 2012-The Unicode® Consortium announc
https://eng.m.fontke.com/article/9024/
Grimms Märchen ohne Worte by Frank Flöthmann
License: All Rights Reserved.It is 200 years ago now since the Gr
https://eng.m.fontke.com/article/10941/
My Type of Music: Gary Numan, The Roots, The Black Keys, Jónsi, Tim McGraw, Gotye
I am on the TGV to Paris as I write this, on my way to act as "Pr
https://eng.m.fontke.com/article/6272/
Italic Type – The Dark Side
I was sent a press release yesterday about how a senior citizen w
https://eng.m.fontke.com/article/2447/
GB 12052-89: PRC Standard For Korean
While it was not uncommon for early (pre-Unicode) CJK character s
https://eng.m.fontke.com/article/18268/
Room & Board 2014 Catalog
Source: http://catalogs.roomandboard.com.License: All Rights Rese
https://eng.m.fontke.com/article/14409/
Q&A: Creating Spin's amazing Globe & Mail spots
Canadian studio Spin was recently commissioned by Canadian newspa
https://eng.m.fontke.com/article/797/
简化的Web字体
设计与排版是相辅相成的。但每当我想在我的网页上使用特别的字体时，总是让人十分头痛，很难实现。因为这个原因，许多网页设计师放弃使用这种方式，通过将文字处理为背景图片来解决这个问题。但这样带来了另一些问题，包括可访问性……
https://eng.m.fontke.com/article/3421/
New Erik Spiekermann Typeface Axel Premieres At TYPO Berlin 2009
This 14th edition of TYPO Berlin was a special one for organizer
https://eng.m.fontke.com/article/1287/
