ScreenFonts: Precious, Pirate Radio, The Messenger, Women In Trouble, The Road

The problem with being that late with the previous episode of Scr

https://eng.m.fontke.com/article/1959/

Hidden Gems From OurType

One topic I touched upon in my presentation about Trajan in Movie

https://eng.m.fontke.com/article/4166/

很多人问我字体设计的过程是怎样的，看这个就明白了（一）

多人问我字体设计的过程是怎样的，我一般就简单的说先手绘然后钢笔勾。其实也就是这样。重要的是你要有满意的手绘稿，然后再加上满意的后期软件处理。这个过程可 

https://eng.m.fontke.com/article/3530/

Azuro – A New Typeface For Reading On Screens

Axel, an economical, highly legible font family optimized for on-

https://eng.m.fontke.com/article/4097/

TDC2 2009 | The Text Faces

After the involuntary extended delay in publishing here's the sec

https://eng.m.fontke.com/article/1087/

ScreenFonts: Frankenweenie, The Paperboy, Argo, Seven Psychopaths

I really enjoyed interviewing Dustin Stanton for last month's ins

https://eng.m.fontke.com/article/9721/

ScreenFonts: The LEGO Movie, A Field In England, Robocop, Son Of God

Hunh? What is this, a second episode of ScreenFonts this month? W

https://eng.m.fontke.com/article/15484/

Foundry Focus: Fontsmith

Fontsmith is a leading London-based type design studio founded in

https://eng.m.fontke.com/article/4227/

ScreenFonts: Diana, Thor: The Dark World, Oldboy, Mandela: Long Walk to Freedom

Observant readers may have wondered why I didn't review the poste

https://eng.m.fontke.com/article/14230/

TDC2 2010 – Text Faces

Now that I've covered the Type Systems, let's move on to the Text

https://eng.m.fontke.com/article/2167/