German Stamps by Henning Wagenbreth
Each year, the Federal Ministry of Finance of Germany issues appr
https://eng.m.fontke.com/article/8176/
Connected Cursive Handwriting Fonts, Part 1: In Context
Context is everything! Well, maybe not everything, but it can sur
https://eng.m.fontke.com/article/4179/
TDC2 2009 | The Text Faces
After the involuntary extended delay in publishing here's the sec
https://eng.m.fontke.com/article/1087/
New Microsite For FF Trixie OT
Earlier this week a brand new website entirely dedicated to a sin
https://eng.m.fontke.com/article/880/
My Type of Music: Holly Herndon, The Rolling Stones, Green Day, Led Zeppelin, Rihanna
Researching the album covers for this episode of My Type of Music
https://eng.m.fontke.com/article/10390/
My Type of Music: Manic Street Preachers, Soundgarden, Tricky, Lil' Wayne, Kings Of Leon
My oh my, I don't know what happened, but this instalment of My T
https://eng.m.fontke.com/article/3206/
排版中的字体行间距问题
在一般的文书排版软件上，所谓的行距，通常指的是上一行的字的 baseline 至下一行的字的 baseline 的距离。而这种定义下的行距，也通常是由办公排版系统本身自行在控制、调整的。但是在 TrueType 字体规格中亦有所谓的 linegap 的信息，有些应用软件会使用他来当做是
https://eng.m.fontke.com/article/484/
Avenir：设计土壤变化与字体风格复兴
日本设计大师原研哉在他的名著《设计中的设计》和《欲望的教育》说道“必须让设计土壤肥淆，好设计才得以健康生长”，感觉这比喻放诸字体设
https://eng.m.fontke.com/article/6473/
金蝶苹果字ATM CID首次允许字体嵌入
以研发华康字体闻名信息业的威锋数字，不但致力让每位PC用户有赏心悦目的字体可用，在MAC族群中，也有相当多忠实用户；为了满足MAC字体本身特有的两种不同规格，配合两方使用者的习惯，威锋数字继日前发表的金蝶苹果字 TTM 全新83套繁体中文字体后，紧接着推出同款不同
https://eng.m.fontke.com/article/121/
Global, Local, Social: ATypI Barcelona 2014 (Part 1)
The 58th annual conference by the Association Typographique Inter
https://eng.m.fontke.com/article/17634/
