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The Adobe-Identity-0 ROS & Heuristics

I have advocated the use of the special-purpose and language-neut

https://eng.m.fontke.com/article/12167/

Vesta: Serif or Sans Serif?

Vesta: Serif or Sans Serif?

Gerard Unger, designer of the Vesta™ typeface family, once receiv

https://eng.m.fontke.com/article/4353/

字体的故事:& 的简史与它在设计中应用

字体的故事:& 的简史与它在设计中应用

是一个非常独特的字符,字体设计师在设计这个字符的时候,常常天马行空,然而很多设计师对这个符号的背景知之甚少,事实上,有一段悠久而有

https://eng.m.fontke.com/article/3132/

The design of a signage typeface

The story begins in 2006 with a trip down Route 66. Day in, day o

https://eng.m.fontke.com/article/7379/

Granshan 09 Type Design Competition

Granshan 09 Type Design Competition

The Ministry of Culture of the Republic of Armenia announces its

https://eng.m.fontke.com/article/1478/

An Introduction to Free Fonts

An Introduction to Free Fonts

Shouting those two magic words in the right sequence – "Free font

https://eng.m.fontke.com/article/2443/

Making Initial Letters Part II: Dropped Initials

Making Initial Letters Part II: Dropped Initials

Both raised initials and dropped initials can add gusto to a webs

https://eng.m.fontke.com/article/21911/

Introducing Source Han Code JP

Introducing Source Han Code JP

[This article was written by Masataka HATTORI (服部正貴) and translat

https://eng.m.fontke.com/article/20021/

First TypeCon2009

First TypeCon2009 "Rhythm" Images

TypeCon2009 "Rhythm" is entering its third day, with lots of http

https://eng.m.fontke.com/article/1443/