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The Rediscovery of Boudewijn Ietswaart

The Rediscovery of Boudewijn Ietswaart

Lettering in the Netherlands has had many great exponents from Ja

https://eng.m.fontke.com/article/2793/

Biome — the making of a typeface

A biome in nature is essentially an ecosystem. It's also the name

https://eng.m.fontke.com/article/2479/

Abril Wins Gold Medal at European Design Awards 2012

Abril Wins Gold Medal at European Design Awards 2012

Last month, on Saturday, May 26th, the European Design Awards 201

https://eng.m.fontke.com/article/8136/

Volksbühne Berlin Poster Campaign

Volksbühne Berlin Poster Campaign

It is campaigning time in Germany. On Sunday, some sixty million

https://eng.m.fontke.com/article/13068/

"Designing Screen Fonts with FontStruct" Workshop At HfG Gmünd

We reported a while ago that Typerider – who teaches Graphic Desi

https://eng.m.fontke.com/article/1949/

苹果迎来新字体 苹方和华文黑体你更钟情谁?

北京时间今天凌晨苹果正式推送了iOS 9,在经历了无数次的奇怪报错后,早上已经有相当数量的用户升级到了全新的iOS 9,而iOS

https://eng.m.fontke.com/article/7767/

The Last Word on Helvetica?

Perhaps this article should have ended at the question mark in it

https://eng.m.fontke.com/article/20200/

Grotesque of Our Age

Grotesque of Our Age

本文是前几个月的一篇杂志约稿,由于各种原因未能出版。现在贴出来,以飨读者。文章探讨了早期非衬线体的历史和特点,以及现在的保存和发展

https://eng.m.fontke.com/article/2817/